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Next autumn, the artist Txomin Badiola (Bilbao, 1957) will be the subject of a wide-ranging retrospective at the Palacio de Velázquez. It will include a selection of his production of photographic works, drawings, sculptures and multimedia installations from the 1980s to the present day. (Read more)

The Museo Reina Sofía and the Museum of Modern Art in New York are jointly organizing a retrospective that will be one of the fullest yet dedicated to Marcel Broodthaers (Belgium, 1924 – Germany, 1976). Through a selection of works representative of his artistic practice, the show will explore the multiple facets developed by the artist throughout his life. His extraordinary production during the transformational decades of the 1960s and 1970s established him as one of the most important artists on the international scene, with an influence that continues today. (Read more)

The retrospective devoted to Ulises Carrión (1941, San Andrés Tuxtla, Veracruz, Mexico – 1989, Amsterdam, Netherlands) explores the various aspects of a many-sided artistic and intellectual oeuvre, from the artist's beginnings as a successful and respected young writer in Mexico to his periods in France, Germany and England (1964-1972), when he sharpened his determination to innovate language, and finally to Amsterdam, where he settled definitively and became involved in a wide range of artistic and literary activities. (Read more)

Under the title Questions of Perception, the Palacio de Velázquez is hosting the first monographic exhibition in Spain on the Swiss artist Rémy Zaugg (Courgenay, 1943 – Basle, 2005). The show includes a selection of paintings and work on paper, with the accent placed on the exploration of language and perception as a means of activating the viewer. (Read more)

The retrospective on the Cuban painter Wifredo Lam (Sagua La Grande, 1902 – Paris, 1982) responds to a general desire to give an account of modernism in all its complexity, and aims to reinstate Lam's work in an international art history of which he is an essential player. The exhibition not only returns to the genesis of his work but also surveys the various phases and the conditions of the progressive reception and integration of an oeuvre patiently built up between Spain, Paris and Marseilles, and Cuba. (Read more)

Campo Cerrado (Closed Field), which takes its title from an eponymous novel by Max Aub, is a review of Spanish art during the complex 1940s, a period that has received scant attention. Despite their importance for the formation of modern sensibility in Spain, these years remain in a critical and historiographic vacuum. (Read more)

The Museo Nacional Centro de Arte Reina Sofía presents the exhibition Andrzej Wróblewski: Recto / Verso, focused on Andrzej Wróblewski (1927-1957), one of the most important Polish artists of the 20th century. This will be the largest Wróblewski retrospective outside of Poland.

Wróblewski was a creator of formal experiments on the border of abstraction and figuration, an artist manifesting an unusually suggestive vision of war and human degradation, based on deep political commitments. His rich, diverse body of work was created over a very brief period (less than ten years), during a distinctly turbulent era. (Read more)

The Gemeentemuseum Den Haag and the Museo Nacional Centro de Arte Reina Sofía present an exhibition dedicated to the figure of the Dutch artist Constant (Constant Anton Nieuwenhys, Amsterdam, 1920 – Utrecht, 2005). Under the title of New Babylon, the show focuses above all on the artist's most emblematic project, his concept of the city of the future. For nearly twenty years (1956-1974), Constant made models, paintings, drawings and collages that showed his idea of the planning of this new city, a large and complex labyrinth that transformed the world into a single network. The land would be collectively owned, work would be automated and carried out by robots, and people would be free to devote their time to creative play. (Read more)