The Museo Nacional Centro de Arte Reina Sofia presents in the Palacio Velazquez - Parque de El Retiro (Madrid), a new anthological exhibition of Cildo Meireles (Rio de Janeiro, 1948). The exhibition is a co-production with the Serralves Museum of Contemporary Art (Porto, Portugal) and HangarBicocca (Milan, Italy). João Fernandes, who is the Deputy Director of Museo Reina Sofia, is the curator of this exhibition.
Since the late 1960s, Cildo Meireles has been working on new possibilities for the redefinition of conceptual art based on a relationship with the sensory experience of the viewer, the critical use of systems of ideological and economic circulation, and an ethical connection with the world, the foundation of his permanent critical stance. Meireles’s work broadens the field of a pioneering revision of modernity which took place in Latin America – and especially in Brazil, with the work of artists like Hélio Oiticica, Lygia Clark and Lygia Pape – in the second half of the 20th century.
The exhibition concentrates on a set of new works accompanied by some of the artist’s other lesser known pieces. The formal and conceptual aspects of Meireles’s work are inseparable from his critical attitude. A poetic and ideological attitude toward the world is revealed in the relation to everyday life of the materials used in his works, and in the structural confrontation between forms and signifieds.
Many of the pieces shown in the exhibition are critical commentaries on concepts of territory, questioning History as a narrative of colonial domination. Examples of this include installations like Abajur, Olvido and Amerikkka, which is seen here for the first time. The construction of the singularity of these works on the basis of the quantitative nature of the world is a physical experience. Olvido, for instance, presents an Indian teepee made of 6,000 banknotes from all the American countries, erected over three tons of bones and installed in the center of a circle formed by 69,300 candles. In Amerikkka, a floor made from 20,050 wooden eggs lies beneath a ceiling of 76,150 bullets. In Marulho, more than 17,000 books with photographs of sea water construct a representation of the ocean. To contextualize these pieces, the exhibition also presents some of Cildo Meireles’s other historic series that interrogate concepts of territory, value and the art object, such as Physical Art or Insertions in Ideological Circuits.
Organized by: Museo Nacional Centro de Arte Reina Sofía (Madrid), Museu de Arte Contemporânea de Serralves (Porto) and HangarBicocca (Milano)
Curator: João Fernandes
Coordinator: Soledad Liaño
Itinerary: Fundação Serralves, Porto (October 26, 2013 – January, 2014)
HangarBicocca, Milano (March 6 – June 1, 2014)
For further information, please download the full press relase.